|The MPP Micro Technical Camera|
Film! Are you mad?
Yes, folks to some I am. That sentence was an actual question asked of me whilst in a café with my children. A man about 10 years older than me saw my Rolleiflex sitting on the table-obviously he couldn't understand why in this day and age someone would use a camera from 1961.
I tried to explain why, but got the 'I have a Panansonic and a Macbook' statement as if I should have been even remotely impressed.
So why go film only? Well the easiest answer is that it does all I could possibly want it to do, I don't need instant review as I know pretty well how the image will look; I don't care for speed of operation––the type of photography I do just doesn't need those things.
Film is Expensive
To a degree it is, obviously you need to choose what film to take on a trip and the cost is ongoing which means when I press the shutter it has a pretty obvious cost.
What I can say though is for the type of images I take you don't need to fire off many images, most shoots are planned so a mornings work might involve 4-6 sheets of 4x5 or a couple of rolls of 120 and those outings amount to fewer than one per month so that would be 40-50 sheets per year and 20 rolls of 120 from which in that year I'd expect 15-20 prints. The total cost all in would be about £250 for the film and as I process my work the chemicals probably about £30.
So less than £300 normally without prints obviously.
That sounds pretty expensive, after all with only 20 good finished images that works out to £15 per image!
Why sell my Digital Nikons?
In all honesty I wasn't using them; the batteries would go flat between times meaning spontaneous shots were sometimes done with cameraphones.
I liked digital but it just doesn't suit my use patterns and when shooting 50 very high quality shots a year doesn't make a £2000 DSLR a good purchase over its lifetime (over ten years of film for existing cameras).
So I managed to sell them while they still had some value.
At the moment the films I want to use are still available, I don't feel the need to change my shooting style or workflow or adapt them to fit the direction everyone else is heading in. In fact there might even be a perverse pleasure in swimming against the tide of people adopting fast and ever changing technologies.
Just give me a supply of Ilford B&W and Kodak Ektar and I can be happy and creative.